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    MacBook Air M113,3″ 256GB Space Gray

    134.350,00 рсд
    • Tanak i lagan dizajn: Samo 1,29 kg, idealan za nošenje svuda
    • Procesor: Moćni Apple M1 čip za brže performanse
    • Ekran: 13.3″ Retina displej sa izvanrednim prikazom boja
    • Baterija: Do 18 sati trajanja baterije, savršeno za celodnevni rad
    • Memorija: 8 GB RAM-a i 256 GB brzog SSD-a za sve vaše potrebe
    • Ekološki prihvatljiv: Kućište napravljeno od 100% recikliranog aluminijuma

    MacBook Air M1 256GB Silver – SRB KB

    134.350,00 рсд
    • Procesor: Apple M1 čip sa 8-jezgarnim CPU-om i 7-jezgarnim GPU-om za vrhunske performanse
    • Ekran: 13.3″ Retina displej sa True Tone tehnologijom za precizan prikaz boja
    • Memorija: 8 GB RAM-a i 256 GB SSD za brzi pristup podacima
    • Baterija: Do 18 sati trajanja baterije, idealno za celodnevnu produktivnost
    • Tastatura: Magic Keyboard sa Touch ID-em za sigurno i jednostavno prijavljivanje
    • Konektivnost: Dva Thunderbolt / USB 4 ulaza za brze i fleksibilne povezivanje

    Online store of household appliances and electronics

    Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.

    A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.